|
Soup
tureen, ribbed throughout the body and also on the lid. The lid
is given prominence by the presence of an additional form of multiple
ribbing, horizontally orientated. The decoration features the open
peony motif, of clear Chinese inspiration and reflecting the "famille
rose" theme.
This pattern was used from the most primitive
period of the Manufactory onwards, and was later very successfully
replicated in the second period, when it was identified - mistakenly
- with the so-called "tulip" decoration. In the Manufactory's
1957 records, this decoration, listed as nr. 3, was defined as ""fiori
di vari colori alla chinese"[flowers of various colors in the
Chinese manner] (Ginori Lisci Archives, File 37, nr.6; see also
Biancalana A., 1998, p. 29). The tureen has a gray-paste body and
lead-glazing, typical of the first period.
The rich decoration covers
almost the entire exterior surface of the tureen; the two handles,
representing intertwined strands and enriched by a gilt central
button that draws the strands together, are enhanced with touches
of purple. Beneath the handles two small sprigs can be seen, highlighted
in gold, with colors similar to those displayed in the main decoration.
The finial on the lid is in the shape of a stylised flower and is
likewise touched with gold.
The dinner service of which this tureen
formed part was one belonging to the Guinigi family; the pieces
were dispersed in the 1960s through auction sales. The soup tureen
was published together with part of the service in the Auction Catalogue
listing the possessions of the heirs of the Guinigi family. [GT]
|